Program IV:
Festival Grand Finale
Saturday, August 23, 2025 | 7:30 PM
Stevens Square Theater
Mozart wrote his virtuosic Oboe Quartet at a pivotal time, when he left his family and home town of Salzburg and struck out on his own in Vienna. Reflecting his growing independence, this quartet gets a modern makeover when Steven Banks—whose artistry was declared “transformational” by Seen & Heard International—reinterprets the oboe voice on saxophone. Joaquín Turina freely adapted mainstream European musical structures to suit his own expressive ideas, infusing Spanish folk tunes and the clack of castanets into his delightful Piano Quartet. In a lyrical contrast, Ernest Chausson’s Concerto wears its heart on its sleeve. Unreservedly showy and surging with passionate outpourings, this exquisite gem makes for an expansive, season-ending flourish.
Wolfgang Amadeus Mozart Oboe Quartet in F Major, K. 370 (transcribed for saxophone by Steven Banks)
Steven Banks, saxophone; Chad Hoopes, violin; Cara Pogossian, viola; Nina Lee, cello
Joaquín Turina Piano Quartet in A Minor, Op. 67 (1931)
Susie Park, violin; Melissa Reardon, viola; Raman Ramakrishnan; cello; Benjamin Hochman, piano
Ernest Chausson Concerto for Violin, Piano, and String Quartet, Op. 21 (1891)
Anthony Marwood, Chad Hoopes, Susie Park, violin; Melissa Reardon, viola; Nina Lee, cello; Benjamin Hochman, piano
* Programs and artists subject to change
TICKETS
Buy now and save 25%! Early Bird season passes on sale through June 1.
Single tickets on sale June 2.
VENUE
Stevens Square Theater
Stevens Square Community Center
631 Stevens Ave, Portland ME
PARKING
Free parking on site, lot entrance on Walton Street between Forest and Stevens Avenues
RUN TIME
Approximately 90 minutes including intermission
Meet The Composers
Wolfgang Amadeus Mozart
1756-1791
Wolfgang Amadeus Mozart was an Austrian composer and child prodigy who began composing at age five and toured Europe's courts with his sister Nannerl. He produced over 600 works spanning symphonies, operas, chamber music, and choral pieces, many of which are considered masterpieces of the Classical era. Notable compositions include The Magic Flute, Don Giovanni, and the Jupiter Symphony. Mozart's music is celebrated for its melodic beauty, structural clarity, and emotional depth. Despite his acclaim, he faced financial difficulties and died at 35 in Vienna, leaving a lasting legacy in Western music.
Mozart's Oboe Quartet in F major, K. 370, has been creatively adapted for saxophone, offering a fresh perspective on this classical masterpiece. Notably, soprano saxophonist Steven Banks has performed the quartet, substituting the oboe with saxophone, highlighting the instrument's expressive capabilities and breathing new life into Mozart's work . Additionally, arrangements for saxophone quartet, such as Christoph Enzel's adaptation for SATBar saxophones, have been published, allowing saxophonists to explore the quartet's intricate interplay and melodic richness . These interpretations demonstrate the saxophone's versatility and its ability to honor the elegance and charm of Mozart's original composition.
Ernest Chausson
1822-1890
Amédée-Ernest Chausson was a French Romantic composer whose work bridges the late 19th-century French musical tradition with the influence of Wagner and Franck. Born into a prosperous Parisian family, he studied law to satisfy his father but pursued music passionately, studying under Jules Massenet and César Franck. Chausson was a key figure in the Société Nationale de Musique, promoting French composers and fostering artistic circles that included figures like Debussy and Mallarmé. His compositions encompass symphonies, operas, songs, and chamber works, notable for their lush harmonies and lyrical depth.
Chausson's Concert for Violin, Piano, and String Quartet in D major, Op. 21, composed between 1889 and 1891, is a unique work that blends the grandeur of a concerto with the intimacy of chamber music. The piece is renowned for its lush harmonies, lyrical expressiveness, and dramatic intensity, reflecting Chausson's admiration for Wagner and Franck. It was first performed in Brussels in 1892, with Eugène Ysaÿe as the violin soloist. The work remains a significant contribution to the French Romantic repertoire.
Joaquín Turina
1882-1949
Joaquín Turina was a Spanish composer and pianist who played a pivotal role in shaping 20th-century Spanish music. Born in Seville, he initially studied music locally before moving to Madrid and later Paris, where he studied composition under Vincent d’Indy and piano with Moritz Moszkowski. Influenced by French Impressionism and Spanish folk traditions, Turina developed a distinctive style that blended rich harmonies with Andalusian rhythms. His notable works include Danzas fantásticas, La procesión del Rocío, and La oración del torero. Returning to Spain in 1914, he became a prominent figure in Madrid's musical scene, serving as a composer, conductor, educator, and critic. Turina's contributions significantly enriched Spain's musical heritage.
Turina's Piano Quartet in A minor, Op. 67, composed in 1931, is a vibrant example of his fusion of Spanish musical idioms with classical chamber forms. Notably, Turina departs from traditional classical structures by omitting a lengthy sonata-form first movement, opting instead for a soulful, lilting opening that evokes a night in his native Seville. The second movement is dance-like, with plucked strings suggesting the clackety-clack-clack of castanets. The final movement offers a lyrical and rhythmically engaging conclusion. This quartet exemplifies Turina's mastery in blending nationalistic elements with sophisticated compositional techniques. It remains a cherished piece in the chamber music repertoire.